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Feminist art, mother artist, podcast, visual art, women artists



Woman Up! Series 3, episode 1.
Jodie Hawkes MOTHER TROUBLE MAKERS

Jodie is one half of performance duo Search Party. Formed in 2005 Search Party’s work has encompassed theatre, live art, durational performance, participatory art, home video and performative writing. Search Party have made performances for theatres, galleries, public squares, 24-hour parties, high streets, village fetes, parks, shopping centres, across rivers, between bridges and along seafronts. Jodie is a Senior Lecturer in Theatre at the University of Chichester. Her research Playing Kate focuses on maternal performance and class.

http://searchpartyperformance.org.uk/

https://www.playingkate.co

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Feminist art, mother artist, podcast, visual art, women artists
The Guerrilla Girls are anonymous artist activists who use disruptive headlines, outrageous visuals and killer statistics to expose gender and ethnic bias and corruption in art, film, politics and pop culture. They believe in an intersectional feminism that fights for human rights for all people and all genders. They undermine the idea if a mainstream narrative by revealing the understory, the subtext, the overlooked, and the downright unfair.

Guerrilla Girls: The Art of Behaving Badly is the first book to document their hundreds of street projects all over the world as well as interventions and exhibitions blasting museums on their own walls for their discriminatory practices.

The Guerrilla Girls’ motto: Do one thing. If it works, do another. If it doesn’t, do another anyway. Keep chipping away. Creative complaining works!

To purchase the book go to www.guerrillagirls.com/store/the-art-of-behaving-badly

All images are credit Guerrilla Girls: The Art of Behaving Badly © 2020 by Guerrilla Girls, published by Chronicle Books

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Feminist art, mother artist, podcast, visual art, women artists

PART 2

Jennie Klein is a professor of art history at Ohio University. She is the co-editor, along with Myrel Chernick, of The M Word: Real Mothers in Contemporary Art, published in 2011. In 2014 she and Chernick chaired TFAP@CAA Day of Panels, which was also themed around maternity and motherhood. She has recently published several essay on art and the maternal, including “Feminist Art and Motherhood: An Overview,” in The Routledge Companion to Motherhood, “Maternal Metaphors I and II: a labor of motherlove” in The Maternal in Creative Work, both co-authored with Myrel Chernick, and “The Mother Without Child/The Child Without Mother: Miriam Schaer’s Interrogation of Maternal Ideology, Reproductive Trauma, and Death” in Inappropriate Bodies.

For Part 2 click HERE



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Feminist art, mother artist, podcast, visual art, women artists

Jennie Klein is a professor of art history at Ohio University. She is the co-editor, along with Myrel Chernick, of The M Word: Real Mothers in Contemporary Art, published in 2011. In 2014 she and Chernick chaired TFAP@CAA Day of Panels, which was also themed around maternity and motherhood. She has recently published several essay on art and the maternal, including “Feminist Art and Motherhood: An Overview,” in The Routledge Companion to Motherhood, “Maternal Metaphors I and II: a labor of motherlove” in The Maternal in Creative Work, both co-authored with Myrel Chernick, and “The Mother Without Child/The Child Without Mother: Miriam Schaer’s Interrogation of Maternal Ideology, Reproductive Trauma, and Death” in Inappropriate Bodies.


For Part 2 click HERE




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Feminist art, mother artist, podcast, visual art, women artists

Emma’s work often focusses on honesty, action and a playfully destructive DIY aesthetic using materials with different transformative properties - such as water, clay, earth, salt and ink - to create strong visual imagery which is often messy, intense and celebratory. In recent years, her work has been focussed on the None of Us is Yet a Robot project, a series of performance pieces recently published by Oberon Books as “None of Us is Yet a Robot - Five Performances on Gender Identity and the Politics of Transition”.

In 2013 Emma was a featured artist at the British Council Showcase and since then she performed in Sao Paolo, Rio de Janeiro, Jakarta, Toronto and across the UK & Europe. As a performer and dramaturg Emma collaborated with many companies including WildWorks, Rachel Mars, Chris Goode & Company, Shakespeare’s Globe Theatre, Stratford Festival (ON), Theatre Royal Stratford East and for BBC radio drama and television.

“Emma Frankland is the punk rock angel of your dreams and nightmares…” (The Stage on Hearty)

www.notyetarobot.co.uk

 

 

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Feminist art, mother artist, podcast, visual art, women artists

Shirley Cameron is an artist whose work covers 6 decades.

Shirley studied sculpture at Central Saint Martins College with Anthony Caro as her tutor’ Whilst studying there Shirley met Roland Miller, who at that time was travelling with The People Show theatre company.

For almost 20 years they travelled together becoming principal figures in the development of Performance Art in British alternative theatre between 1968 and 1988.

Cameron was one of the first artists to include her children in her work. in 1977, she performed ‘Washing the Twins’ at the IV International Encontros de Are em Portugal at Caldas da Rainha with the english writer Angela Carter.

In this performance, Shirley washed, dried and dressed her own twins whilst Angela did the same to 2 bronze sculptures of a boy and a girl installed in the museum’s permanent collection.

Listen to Shirley full episode on this month Woman Up! podcast.

This episode is only available as a video with captions due to sound issues.

All pictures taken from Shirley Cameron archive @ http://shirleycameron.org/index.php

 

 

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Feminist art, mother artist, podcast, visual art, women artists


Hermione Wiltshire studied Sculpture at Central Saint Martins College of Art and Design, London, at BA level followed by an MA at Chelsea School of Art. In 1993, Hermione Wiltshire was a Momart Fellow at the Tate Gallery Liverpool, where she spent six months carrying out a residency followed by an exhibition at the Tate gallery Liverpool called Elective Affinities. She was also a scholar at the British School of Rome and returned often to Rome and Naples to complete several major series of works.


Hermione is a Senior Lecturer in the Photography Programme, RCA. Her practice is an expanded photographic one that extends the physical status of the photographic image in multiple ways. Current research interests include Feminist aesthetics, the visual lexicon of sexual reproduction and the field of maternal studies. She has exhibited and lectured widely and her work is held in public and private collections including The Arts Council, Weltkunst and MAG collection.

One of her artwork Terese in Ecstatic Childbirth is part of The Birth Rites Collection at King’s College London where she is also an associate artist.

Terese in Ecstatic Childbirth was exhibited recently in Birth at TJBoulting, London and Matresence at Richard Saltoun London.

In 2021 Hermione will be undertaking a residency at the University of Montreal to make a new piece called Actions for Knowledge Repair.

Images from www.hermionewiltshire.com/portfolio


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Feminist art, mother artist, podcast, visual art, women artists


Through leading seminars, curating panels, and consulting services, Women Picturing Revolution (WPR) co-creators Lesly Deschler Canossi and Zoraida Lopez-Diago are
reclaiming and retelling history in a manner that is both radical and necessary. By highlighting the work of female photographers who have documented conflicts, crises, and revolution in private realms and public spaces, WPR sheds light on personal and political experiences that are often overlooked or underrepresented. From fine art photography made as a response to forced silence, oppression, and the inability to act, to well-known visual journalists documenting upheaval, Lesly and Zoraida, along with WPR participants, examine not only the photographs but also the conditions under which women make images. Through a better understanding of how women document resilience, resistance, and creative survival, WPR hopes to propel all of us towards progress.




Zoraida Lopez-Diago
is a photographer, curator, activist and co-founder of Women Picturing Revolution (WPR). Her photographs center around themes of migration, incarceration, and the undocumented and have been shown at institutions including the Photographic Center Northwest, Paul Baldwell Gallery in Medellin, Colombia. She has lectured on her work at Harvard University, Mt. Holyoke College, and La Universidad de Antioquia (Colombia), among others. Zoraida was the assistant curator of the Picturing Black Girlhood exhibition at Columbia University and co-curated Women as Witness, a photography exhibition about how women document survival. She recently co-presented with WPR co-founder Lesly Deschler Canossi at the Tate Modern on their forthcoming book. She lives in Beacon, NY.
Lesly Deschler Canossi is a cultural producer, educator and photographer working to widen the lens of photo history. She is faculty at the International Center of Photography and co-founder of Women Picturing Revolution. She holds an MFA in Photography from the Maryland Institute College of Art. Since 2007, as owner of Fiber Ink Studio, she worked with photographers and institutions on project development and exhibition realization. Her photography explores the intimacy and demands of motherhood and she is currently co editing an edition of essays and photographs on the topic of Representations of Black Motherhood & Photography (Women Picturing Revolution, Spring 2021, Leuven University Press).


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